MASCHA

“Laura Engelhardt has created an intense film with Mascha about a self-determined young woman that lingers in the mind and encourages reflection on societal injustices without losing sight of humanity. Her latest work is a prime example of cinematic storytelling: story and form are skillfully combined with a remarkable sense of timing and rhythm.

Mascha carries only the essentials in its narrative luggage. Every shot is carefully considered and perfectly conceived. Dialogue is kept to a minimum, and the economical storytelling relies on the visual language of film. The film's compression and conciseness imbue it with a timeless quality. Engelhardt presents a minimalist drama, exploring a state of crisis that significantly restricts the protagonist’s options.

Yet, despite all the hardships, the protagonist is no victim. Her decisions are grounded in intelligence, self-determination, and independence. She is portrayed as strong, dignified, and unpretentious. The way Mascha responds to economic hardship and her precarious situation—with composure and pragmatism—drives the narrative forward.

The film cleverly employs documentary techniques within its fictional framework. Its sensitive and realistic depiction of a pressing societal issue enhances the film's authenticity and impact.”

The jury consisted of Conny Beissler (cinematographer), Elke Kania (film scholar) and Nicole Rebmann (curator)